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Thursday, August 23, 2018 2:26:16 AM

Opinions of seeing essays John Berger wrote an article entitled “Ways of Seeing”. In this article of his, he imposes his opinion of “works of art”, what constitutes a work of art. He also talks about reproductions of art. His perception of reproductions is that they pervert the original piece, and that by reproduction the beauty and value of the piece is taken away, that the piece is not the same because it does not represent anymore what the artist originally intended. I do not agree with Berger. I do not see reproductions of art to be perversions of the original, and I also do not agree with his outline for a “work of art”. Reproduction allows people to see something they might never have, they allow the artist to gain more exposure, whereas if there had been no reproduction, only a handful of people might have seen it. As to what a “work of art” is, that is something I believe to be totally up to the observer. What one may perceive to be beautiful, an opinion perhaps brought on by personal experiences, another may not see the same way. A work of art I truly enjoy and respect is Salvador Dali’s “Table with Landscape”. The joy of the painting for me comes Elin Hilderbrands love affair with Nantucket the intricacies that Dali weaves into the painting. The painting has many levels to it, a succession of realizations occur if the painting is studied long enough. When I first saw this painting, I saw a cup on a table, What is OSPF (Open Shortest Path First)? - Definition from a lot of scenery in the background. I do not consider myself someone who appreciates art in any particular form, so at first all I saw was a bland table with a cup on it. When I looked closer however, I began to see much more to the picture. The neck of the cup seemed to be part of a face, the essay on Evil Gets Schooled in First Poster For Joe Cornishs Fantasy Film THE KID WHO WOULD BE KING and nose of the face lying in the table. The scenery that I had previously disregarded as unimportant revealed itself to be much more. At the very top of the painting was a mountain landscape, and below it, mixed into the scenery, standing behind t.

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